DETAIL : George LAMBERT  Russia 1873 � Australia 1930  'Chesham Street' [Chesney Street; The Doctor; Harley Street] 1910  oil on canvas National Gallery of Australia, Canberra, purchased in 1993 DETAIL : George LAMBERT  Russia 1873 � Australia 1930  'The convex mirror' c.1916  oil with pencil on wood panel private collection
George LAMBERT | Major Andrew Barton ('Banjo') Paterson

 
LAMBERT, George
Russia 1873 – Australia 1930
Australia 1887-1900; England 1900-01; France 1901-02; England 1902-21; Australia from 1921
Major Andrew Barton ('Banjo') Paterson 17 January 1918
pencil
irregular 30.4 (h) x 19.0 (w) cm
signed and dated 'GWLambert/ Dec 1/ Jan 18th 17th 1918' lower right
Australian War Memorial, Canberra, acquired under the official war art scheme in 1918
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A.B. (‘Banjo’) Paterson (1864–1941), Australian poet, solicitor, journalist, war correspondent and soldier, grew up in the bush, where he encountered the drovers, teamsters and bush rangers, and experienced the incidents and scenes which became the subjects of his writing. Paterson wrote verses for the Bulletin under the pen name ‘The Banjo’. Here he formed friendships with Harry ‘The Breaker’ Morant and Henry Lawson. He wrote many ballads and poems about Australian life, including ‘Clancy of the Overflow’ and ‘Waltzing Matilda’. He became a literary celebrity in 1895 with his poem ‘The man from Snowy River’. His life was one of adventure: he went crocodile hunting and buffalo shooting in the Northern Territory, dived for pearls at Broome, and was a war correspondent during the Boer War. During the First World War he sought work as a war correspondent, but failed to gain it. He then drove ambulances in France and later commanded the Australian Light Horse Remounts Unit in Egypt. But for much of his life he was city-based. Paterson’s image currently appears on the Australian ten-dollar note, along with an illustration inspired by ‘The man from Snowy River’ (ADB).

Upon taking up his duties as an official artist in Palestine, the first officer Lambert reported to when calling at the base camp at Moascar was Major ‘Banjo’ Paterson. He wrote to Amy on 15 January 1918 that ‘I am sitting in Banjo Paterson's tent ... Already I have done three pieces of work and everywhere I look there are glorious pictures, magnificent men and really top-hole Australian horses’ (ML MSS 97/4, item 4).

Lambert had illustrated Paterson's essay, ‘Buffalo shooting in Australia’ for the Sydney Mail on 7 January 1899 (p.23).

In 1929 Paterson wrote a poem ‘To George Lambert’:

Come all ye men of paint and pen, Who toil with hand and brain. Forsake the town and take the brown And dusty roads again, The tracks that we old-timers know, Who showed you all the way to go With Clancy of the Overflow Across the Black Soil Plain.

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