FX Harsono
Gazing on collective memory 2016
wood, found objects, books, ceramic bowls, wooden butter mould, wooden cookie mould, metal spoons, 3D digital prints, framed photographs and electric candle lights
Purchased 2018
National Gallery of Australia
© FX Harsono
Mella Jaarsma
The landscaper 2013
costume: wood, paint, iron and leather; single-channel video: 3:40 minutes, colour, sound
Purchased 2018
National Gallery of Australia
Photo by Mie Cornoedus
Eko Nugroho
Demokrasi (Democracy) 2015-18
batik wax painting on fabric supported by painted bamboo rods with shoes
Purchased 2018
National Gallery of Australia
Eko Nugroho
Nasionalisme (Nationalism) 2015-18
batik wax painting on fabric and painted fibreglass objects
Purchased 2018
National Gallery of Australia
Eko Nugroho
Carnival trap 1 2018
resin, wire, upcycled plastic, iron and synthetic polymer paint
Purchased 2018
National Gallery of Australia
Eko Nugroho
Throw away peace in the garden 2018
manual embroidery with rayon thread
Purchased 2018
National Gallery of Australia
Eko Nugroho
Carnival trap 2 2018
resin, wire, upcycled plastic, iron and synthetic polymer paint
Purchased 2018
National Gallery of Australia
Eko Nugroho
We keep it as hope, no more no less 2018
manual embroidery with rayon thread
Purchased 2018
National Gallery of Australia
Agus Suwage
Tembok toleransi (Wall of tolerance) 2012
zinc, gold plated brass, LED lights and sound
Private collection
Agus Suwage
Mr C dan Gauguin's girl 2017
drawing in graphite, watercolour, ink and tobacco juice with temporary tattoos
Purchased 2018
National Gallery of Australia
Agus Suwage
Fragmen pustaka #2 after Raden Saleh 2018
drawing in graphite, watercolour, ink and tobacco juice over handwritten text in pen and black and blue ink on 16 found notebooks
Purchased 2018
National Gallery of Australia
I Made Wiguna Valasara
Rekonstruksi semesta (oposisi biner) (Reconstruction of the universe (binary opposition)) 2017
cotton canvas, calico lining, synthetic filling, cotton/polyester thread [red, gold, purple, black, green, navy blue, royal blue and yellow threads]; machine sewn, trapunto
Purchased 2018
National Gallery of Australia
© Made Wiguna Valasara
Entang Wiharso
Temple of hope: Door to Nirvana 2018-2019
stainless steel, aluminium, car paint, light bulbs, electric cable and lava stone
Commissioned 2018. Purchased 2019.
© Entang Wiharso, Black Goat Studios
Tromarama
Intercourse 2015
two-channel video: 4:10 minutes, colour, sound
Purchased 2018
National Gallery of Australia
Courtesy of the artist and Edouard Malingue Gallery
Tromarama
Quandary 2016
two-channel video: 3:47 minutes, colour, sound
Purchased 2018
National Gallery of Australia
Courtesy of the artist and Edouard Malingue Gallery
Yudha 'Fehung' Kusuma Putera
Past, present and future come together 2017
series of 9 inkjet prints with accompanying instructions for participatory elements of the work
Purchased 2018
National Gallery of Australia
Duto Hardono
Variation & improvisation for 'In harmonia progressio' 2016-17
actualisation of an instruction score by performers
Purchased 2018
National Gallery of Australia
© Duto Hardono
Uji ‘Hahan’ Handoko Eko Saputro
Silent operation: Sign study based on the formula of contemporary (visual) art 2018-19
installation comprising neon wall-works and interactive game application
Commissioned and purchased 2019
Melati Suryodarmo
Transaction of hollows 2016
durational performance including bow, 800 arrows and costume; single-channel video: 14:45 minutes, colour, sound
Purchased 2019
National Gallery of Australia
© Melati Suryodarmo
Handiwirman Saputra
Tak berakar tak berpucuk no. 8 (No roots no shoots no. 8) 2018-19
Part A: fibreglass resin, plastic, steel wire and cloth; Part B: 20 chromogenic prints on aluminium plates
Purchased 2019
Jompet Kuswidananto
Memanggungkan kebersamaan (Staging collectivism) 2013
clothes, resin, megaphones, electronics, mechanical objects and wooden truck tray
Courtesy of the artist
I Gusti Ayu Kadek Murniasih
Kebayangin 2002
chinese ink and synthetic polymer paint on canvas
Purchased 2019
National Gallery of Australia
I Gusti Ayu Kadek Murniasih
Merangsang 2002
chinese ink and synthetic polymer paint on canvas
Collection of Konfir Kabo, Melbourne
I Gusti Ayu Kadek Murniasih
Berpesta di Bangkok (Party in Bangkok) 2003
chinese ink and synthetic polymer paint on canvas
Purchased 2019
National Gallery of Australia
I Gusti Ayu Kadek Murniasih
My garden 3 2003
chinese ink and synthetic polymer paint on canvas
Purchased 2019
National Gallery of Australia
I Gusti Ayu Kadek Murniasih
My garden 1 2003
chinese ink and synthetic polymer paint on canvas
Purchased 2019
National Gallery of Australia
I Gusti Ayu Kadek Murniasih
Untitled 2003
chinese ink and synthetic polymer paint on canvas
Purchased 2019
National Gallery of Australia
Tisna Sanjaya
Seni penjernih dialog (Art as purifying dialogue) 2019
large installation comprising boat, metal beams, 3-part platform, steps, horn speaker, video; spoken word performance
Courtesy of the artist. Commissioned for Contemporary Worlds: Indonesia 2019.
Albert Yonathan Setyawan
Shelters 2018-19
terracotta; slip cast
Commissioned 2018. Purchased 2019.
© albertyonathansetyawan
Zico Albaiquni
For evidently, the fine arts do not thrive in the Indies 2018
oil and synthetic polymer paint on canvas
Courtesy of the artist and Yavuz Gallery, Singapore
Zico Albaiquni
Ladies and gentlemen! Kami present, Ibu Pertiwi! 2018
oil and synthetic polymer paint on canvas
Courtesy of the artist and Yavuz Gallery, Singapore
Zico Albaiquni
The stage of earthly delight I 2018
oil and synthetic polymer paint on canvas
Courtesy of the artist and Yavuz Gallery, Singapore
Zico Albaiquni
The stage of earthly delight II 2018
oil and synthetic polymer paint on canvas
Courtesy of the artist and Yavuz Gallery, Singapore
Zico Albaiquni
The stage of earthly delight III 2018
oil and synthetic polymer paint on canvas
Courtesy of the artist and Yavuz Gallery, Singapore
Julian Abraham 'Togar'
Tolerating the intolerance 2018
stainless steel ventilation dome, motor, LED lights, microphone, megaphone and steel support
Collection of Nicholas Tan, Jakarta, Indonesia
Tita Salina
1001st island - the most sustainable island in archipelago 2015
plastic waste, fishing net, rope, floats, bamboo, LED lights and oil barrels; single-channel video: 14:11 minutes, colour, sound
Courtesy of the artist
Octora
Global apartheid voyeurism: The pose 2017
durational performance and installation
Courtesy of the artist
