- Overview
- Themes
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Artists
- Albers Josef
- Andre Carl
- Arakawa
- Arneson Robert
- Baer Jo
- Baldessari John
- Bourgeois Louise
- Calder Alexander
- Castoro Rosemarie
- Close Chuck
- Cornell Joseph
- de Kooning Willem
- Flack Audrey
- Flavin Dan
- Frankenthaler Helen
- Gertsch Franz
- Gilhooly David
- Glarner Fritz
- Goldin Nan
- Gorky Arshile
- Guston Philip
- Held Al
- Hesse Eva
- Hofmann Hans
- Johns Jasper
- Judd Donald
- Kelly Ellsworth
- Kienholz Edward
- Krasner Lee
- Levine Marilyn
- Lewitt Sol
- Lichtenstein Roy
- Louis Morris
- Man Ray
- Mapplethorpe Robert
- Martin Agnes
- Morris Robert
- Motherwell Robert
- Nauman Bruce
- Newman Barnett
- Noland Kenneth
- Oldenburg Claes
- Ono Yoko
- Pollock Jackson
- Rauschenberg Robert
- Reinhardt Ad
- Resnick Milton
- Rothko Mark
- Ryman Robert
- Samaras Lucas
- Schueler Jon
- Shapiro Joel
- Sherman Cindy
- Smith David
- Smithson Robert
- Sonfist Alan
- Sonnier Keith
- Stackhouse Robert
- Stella Frank
- Still Clyfford
- Turrell James
- Warhol Andy
- Wilson Robert
- Tours
- Events
24 August – 11 November 2018
Free entry
Drawn exclusively from our outstanding collection of American art, American Masters celebrates that nation's artists from the 1940s to the 1980s. When the NGA acquired Jackson Pollock's Blue poles in 1973, at the time the most expensive American painting ever sold, our emerging collection hit the global headlines. This exhibition tells the story of the formation of our incredible American collection and includes many major works not seen together for a long time.
From Abstract Expressionism, Colour Field, Pop, Neo-Dada and Photo-Realism, to Conceptual, Land and Performance Art, American Masters examines how a generation of young Americans, inspired by European émigrés, challenged local traditions and reinvented modern art. The sensational international impact of the era's major artists is captured in masterpieces by Jackson Pollock, Andy Warhol, Claes Oldenburg, Chuck Close, Donald Judd, Eva Hesse and Louise Bourgeois.
Highlights include paintings and works on paper by the New York School; Sol LeWitt's huge Wall drawing No. 380 a-d 1982, specially re-made for this exhibition; and a selection of spectacular light works by Dan Flavin, Bruce Nauman, Keith Sonnier and James Turrell.
Related Programs
- Merce Cunningham Contemporary Dance Residency
- Minimalist/Maximalist: A symposium to coincide with American Masters 1940–1980
Education
- Download the American Masters Secondary education resource (10.2mb)